J21 Tube

Watch Hope Aur Hum 2018 Full Hindi Movie Free Online

Director: Sudip Bandyopadhyay

Starring: Naseeruddin Shah, Beena Banerjee, Neha Chauhan, Naveen Kasturia, Sonali Kulkarni

Genre: Comedy, Drama, Family

Released on: 11 May 2018

Writer: Sudip Bandopadhyay, Neha Pawar

IMDB Rating: 8.4/10 (19 Votes)

Duration: 96 min

Synopsis: A father obsessed with an old school copying machine wreaks havoc on the family, causing a change in their relationships. Explores the life of each family member and how their lives are intertwined with each other.
Story
An ageing widower can’t let go of his antiquated photocopy machine, which occupies too much space and breaks down constantly, leading to friction in his family.

Review
Letting go is tough, be it with people or with things. For Nagesh Shrivastav (Naseeruddin Shah), it is almost unthinkable when it is time to discard his faithful old photocopy machine that has served him well for decades. Mr Sonnichsen, as he calls the machine, is the only link to his glorious past as a copier for ministers and bureaucrats. His eldest son Neeraj (Aamir Bashir), who is forever chasing the elusive promotion at work, almost understands why, but for Neeraj’s wife, practicality supersedes nostalgia. The machine occupies space that their daughter could use as a study room. The only one who really understands Nagesh’s predicament is his youngest grandkid Anu (Kabir Sajid), a cricket-loving and commentary-spouting kid who is forever onto the next mischief. When Nagesh’s younger son Nitin (Naveen Kasturia) who works in Dubai, shows up with a state-of-the-art photocopier, Nagesh has to come to terms with retiring the machine, which has almost become a friend.

Several sub-stories run through 'Hope Aur Hum', almost all of which deal with themes of old versus new, letting destiny take its own course and even the more serious ones that deal with guilt and death. The entire segment where little Anu fights an inner battle about an act of his that could have serious repercussions is shown beautifully by the filmmaker and the young actor Kabir. Another place where the film scores well is the casting, which helps make it even more believable and the characters relatable. The dialogues, too, crack you up every now and then, which help because the film dabbles often with philosophical subjects. While the philosophising doesn’t get too heavy, towards the end one feels there could have been a better, more layered payoff rather than the simple one that is served. The film is more interesting in parts, while the whole feels a bit disjointed. A tighter script could have helped, but for now the little gags in the film work just fine.

Hope Aur Hum rating: 1.5 stars

Old age, old machine, old times, old haveli, old gramophone, old jazz record, and one really old box. Hope Aur Hum doesn’t believe in subtlety when it comes to drumming home its message of old giving way to the new, saddling Naseeruddin Shah with the burden of making audiences hope that, surely, there is something better around the corner.

But being much too obvious and doing injustice to Shah as well as Bashir, another great actor gone to waste here, isn’t even the worst of Hope Aur Hum’s crimes. That would be its insistence on straying off on tangents to yawn-worthy non-plots, one of which involves a Dubai-returned rich man looking for his phone for nearly 15 minutes of screen time. The talented child actor Kabir (Secret Superstar) has another plot that adds nothing to the central premise, but he at least is more delightful while at it.

In the Srivastava household around which Hope Aur Hum revolves, Kabir’s Anu and Shah’s Dadu form the two most interesting bookends. A finer film could have churned an entire story out of them, and some of their scenes will remind you of the endearing award-winning animation Up!. Anu’s Naani’s home, in a sprawling, decrepit haveli in the countryside, also has a charm about it and the hint of a mystery that yet another fine film could have spun into a tale of growing up during one lazy summer.

But, first-time director Bandyopadhyay doesn’t know when he has a nice thing going. So we have Anu and Dadu, Anu and Naani (played by the much-missed Beena Banerjee), Anu and cricket, Anu’s chacha’s missing phone, and even Anu’s chacha’s missing girlfriend. She, thankfully, remains largely missing.

And we haven’t even mentioned yet the highlight of Hope Aur Hum, the one thing Bandyopadhyay, by his own confession, recognised. That would be a vintage photocopying machine, made by German firm Soennecken, that Dadu loves and cares for. He sees it as his last companion, the last vestige of his former life in a fast-changing world. Bandyopadhyay, a fine arts student and an ad filmmaker, has talked about how he remembered one such 100-year-old machine from his childhood, and how he and his art director spent “blood, sweat and tears” and much imagination recreating it for Hope Aur Hum.

In its burnished-wood splendour, its big and scratched lens, its giant plates, its bellows that hang out at the back, and in the faded prints it belches out with much effort, ‘Mr Soennecken’, as Dadu calls it, is the character with the most heft and history in Hope Aur Hum.

Don’t ask what happens to it.

Rating: **

“Everything happens when it is destined to happen,” this dialogue and its essence is often repeated in this film while discussing the problem of old age, be it a man or machine. Debutant Director Sudip Bandopadhyay’s Hope Aur Hum is a slice-of-life film that drills the theme of destiny and change, in practically every scene of the film.

It is a competently told, plain and simple tale of ordinary people in ordinary circumstances.

It is a film about fate in an age that does not believe in fate. The innocuous title even reflects the film’s vision.

The characters have no motives and any criticism of this film on the basis of its realism misses the point and this is the film’s major weakness. Also the pace of the narrative is frustrating. It makes you restless as the plot is timid, outdated, forced and trudges on the middle path.

Acting is learnt, not taught: Naseeruddin Shah

Set in the suburb of a city, the film portrays the life of the Srivastava family, who are cramped up in a small-compact one storied house. Space is definitely a constraint. The house is occupied by the widower Nagesh (Naseeruddin Shah) and his married son Neeraj (Aamir Bashir) who lives along with his family. To add to the mess, we have Neeraj’s younger, unmarried brother Nitin (Naveen Kasturia) who visits them from Dubai. Apart from gifts for the family, he lands up with his baggage of issues; he misplaces his phone and desperately tries to locate it.

As the film opens we are informed that Nagesh runs a photo-copying business on the ground floor. He operates with an obsolete machine, which malfunctions practically every day. His customers are disgusted with him for the bad quality output his machine produces.

Naseeruddin Shah: Censor Board is afraid of female sexuality on screen

His daughter-in-law Aditi (Sonali Kulkarni), has an ulterior motive when she cajoles her husband Neeraj to convince his father to give up his business. But Nagesh is adamant. Emotionally hooked, he prefers to cling on to his oft-failing German brand machine.

Till one fine day, Nitin takes the reigns in his hands and replaces the out-dated machine with the latest digital photo-copying machine. That sets the stage for reconciliation.

Similarly one notices a change in the graph of Nagesh’s grandson Anu, who from a bubbly little boy turns into a scared, reticent child till he is told to fight his own demons.Kabir Sajid as Anu definitely steals the limelight from all his co-stars. The child actor is simply endearing. He emotes like an ace, delivers his dialogues brilliantly and holds his stead against stalwarts like Naseeruddin Shah, Sonali Kulkani and Aamir Bashir.

The film boasts of moderate production values. The background score by Rupert Fernandez is bright and chirpy. The songs; Aache bachche rote nahin and Aye Zindagi snuggly mesh into the narrative.

Overall, the film is slight too flat and straight.

Sudip Bandyopadhyay’s twee family drama is all over the place, but it has its moments. Hope aur Hum begins as an ode to ancient objects, meanders into a young boy’s irrational fears, and wanders off into unchartered territory – all in the space of 96 minutes.

Nagesh (Naseeruddin Shah) is devoted to his old photocopying machine, which should occupy pride of place in a museum but instead squats on vital real estate in his family home. Nagesh refuses to get rid of the contraption, reasoning that if it goes, so will he.

His adorable grandson Anu (Sajid Kabir) supports him, but he has his own demons to slay – playing in the gully cricket team, and getting out of his head the image of what he believes to be a ghost at his maternal grandmother’s home. The sprawling mansion is soon going to be converted into a hotel – a hint for Nagesh, perhaps? – and Anu runs into the ghost during a weekend visit.

Nagesh’s older son Neeraj (Aamir Bashir) frets over a promotion. Nagesh’s younger son Nitin (Naveen Kasturia) loses his mobile phone and finds love during a visit from Dubai. The most redundant character is Aditi (Sonali Kulkarni), who hangs around waiting for the men in her life to make up their minds.

The film’s central focus – something to do with the power of destiny– is as vague as its title, and Bandyopadhyay and co-writer Neha Paawar lose their grip over the proceedings early on. The film is set in the present – indicated by the presence of smartphones – but it feels stubbornly old-fashioned in its depiction of the tensions between the past and the present.

Some sweet moments of family humour and solid performances emerge through the pile-up. The knee-high Sajid Kabir is delightful as Anu, whose obsession with cricket gets a hard knock after that strange encounter with the ghost. Naseeruddin Shah is endearing as the patriarch whose heart lies in the past, even though his motivations remain shrouded in mystery, Although it is hard to imagine a movie in which a young boy matches step with an acting powerhouse, the kid and the thespian makes their scenes count.

In ad filmmaker Sudip Bandhyopadhay’s Hope Aur Hum, three parallel narratives flow side by side. Seeped in nostalgia, the film has many moments- some striking, some memorable and some fleeting- in a story told through three generations of the Srivastava family.

At the centre of this story is an old man Nagesh Srivastava (Naseeruddin Shah), who is attached with his old school photocopy machine. He has named it Mr. Soennecken after Friedrich Soennecken, the famous German office products supplier. And at a time when everyone is technology obsessed, Nagesh finds solace and refers to the work of Mr. Soennecken as art. He is still stuck in the era when he first brought the machine home and all his neighbours had lined up outside to get just one glimpse of it. His son Neeraj (Aamir Bashir), who is under constant pressure to get that due promotion at work, understands his father’s attachment but to his wife Aditi (Sonali Kulkarni), the room where the machine is kept can be used to provide their kids a more comfortable living and separate rooms. She keeps practicality over both emotions and nostalgia.
Nagesh comes from a time when even machines, gadgets and appliances, had a place of their own in people’s life. When his grandson retorts saying the machine is old and needs to retire now, Nagesh tells him, “ye machine bekaar nahi hai, yaadgaar hai.” Whether it was someone’s first car, first watch, first television or even the first photocopy machine - it meant more than just an electronic device. To them, letting it go means to let go a part of oneself. But, in his mind, Nagesh knows that whether it’s a human or a machine - it has to work because there’s always someone younger or advanced waiting to take its position. Shah is in his top form and delivers a wistful performance throughout. He speaks lines that have depth and delivers them with an impact that not many can boast of.

Nitin, from the second generation, has his life revolving around his phone which he loses upon his arrival in India. But who knew a lost phone can help find him love! His story relies more on chance encounters and destiny, but you wish to see more of it and more of Kasturia too. He is a talent to reckon with but doesn’t get enough screen time and enough shades to portray.

The third narrative, also the most prominent one, is that of the youngest generation - Anu. To let go of irrational fear and free oneself from the guilt of what would have happened or what could have happened is as tough for him as it is for his grandfather to let go off that old machine. Despite being a child actor, Sajid hooks you. His innocent yet enthusiastic commentary makes you smile and his fear and guilt make you worry.

While actors do their part well, the film in its entirety doesn’t seem well enough. The obvious connections between humans and machines is a strong base but that doesn’t come out the way it should have. The film tries to be a poem but the lines are not strong enough and the plot doesn’t convert to prose in totality. The metaphors relating to life and transition are in plenty but only some leave an impact. It also feels that the film is not worthy of the ending we are served with, but of something better.

Hope Aur Hum is a well-intentioned film. It has its heart in the right place and manages to seep you in its own nostalgia and think of things beyond the film. But there’s something that doesn’t quite make it through. The message of this family drama stays with you but the film, unfortunately, might not.

उम्मीद पे दुनिया कायम है' और उम्मीद की यही डोर निर्देशक सुदीप बंदोपाध्याय की फिल्म 'होप और हम' में तमाम कलाकारों को एक माला में बांधे रखती है। कहानी में हर किरदार किसी न किसी उम्मीद की आस में है और फिल्म के क्लाइमेक्स में जब हर किसी की उम्मीद पूरी होती है, तो आप खुद उम्मीद के उन टुकड़ों के साथ सिनेमा हॉल से विदा लेते हैं।

कहानी बहुत ही सिंपल है। नागेश श्रीवास्तव (नसीरुद्दीन शाह) यूं तो बहुत ही समझदार और जिम्मेदार बुजुर्ग हैं, मगर जब उनकी बाबा आदम के जमाने की फोटोकॉपी मशीन को रिटायर करने की बात आती है, तो वे बच्चों की तरह उसे बचाए रखने की तिकड़म करने लगते हैं। असल में इस फोटोकॉपी मशीन ने उनके संघर्ष के दौर में परिवार को संबल और सुरक्षा दी थी। नागेश का बेटा नीरज (आमिर बशीर) प्रमोशन की जद्दोजहद में लगा है, जबकि उसकी पत्नी (सोनाली कुलकर्णी) चाहती है कि उसके ससुर उस मशीन को अलविदा कहकर उस जगह को बेटी के पढ़ने का कमरा बना दें। फोटोकॉपी मशीन से जुड़े नागेश के जज्बातों को सिर्फ उसका नन्हा पोता अनु (कबीर साजिद) ही समझ पाता है। नागेश को उम्मीद है कि पुरानी मशीन का खराब हो चुका पुर्जा कहीं न कहीं जरूर मिल जाएगा। उसी बीच नागेश का छोटा बेटा नितिन (नवीन कस्तुरिया) दुबई से अपने पिता के लिए नई-नकोर और अडवांस फोटोकॉपी मशीन लाता है और उसी दौरान उसका मंहगा फोन खो जाता है। यहां नानी के घर गए अनु से एक भूल हो जाती है और अब वो उस भूल को सुधारने की उम्मीद लगाए बैठा है।
निर्देशक सुदीप बंदोपाध्याय की होप और हम ने कहानी में कई लेयर्स और मुद्दों को गूंथा है। उन्होंने फिल्म में उम्मीद के साथ-साथ किस्मत के फलसफे को भी बयान करने का प्रयास किया है। उनके किरदार सच्चे और सहज नजर आते हैं, मगर फिल्म में कई जगह वे अपनी पकड़ खो देते हैं और कहानी सपाट लगने लगती है। फिल्म को स्क्रीनप्ले की सहायता से और दिलचस्प बनाया जा सकता था, हां फिल्म में कुछ हलके-फुलके पल हैं, जो मुस्कुराने पर मजबूर कर देते हैं।

नसीरुद्दीन शाह ने हमेशा की तरह अपने किरदार को सहज रखा है। वे नागेश श्रीवास्तव के रोल में विश्वसनीय लगे हैं। वहीं, उनके साथ बाल कलाकार कबीर साजिद ने उम्दा अभिनय किया है। नन्हे कबीर ने अपने बाल मानसिक द्वंद्व को बखूबी दर्शाया है। सोनाली कुलकर्णी के रोल में करने जैसा कुछ नहीं था। उन जैसी सशक्त अभिनेत्री के हिस्से में बेहतर सीन होते, तो कहानी संवर सकती थी। आमिर बशीर और नितिन कस्तुरिया ठीक-ठाक लगे हैं। फिल्म में संगीतकार रूपर्ट फर्नांडिस संगीत पक्ष को कर्णप्रिय नहीं बना पाए।




Server 1 – Estream

Watch Full Movie

Server 2 – Vidto

Watch Full Movie

Watch In the Dog House 2014 Dubbed In Hindi Full Movie Free Online

Director: Paul Rocha

Starring: Kim Hamilton, Matt Masella, Alana Baer, Logan Dondanville

Genre: Family

Released on: 10 Sep 2015

Writer: Stephen Langford

IMDB Rating: 4.0/10 (34 Votes)

Duration: 81 min

Synopsis: When a divorced mom tries to start dating again, her kids and her dog set out to sabotage the dates. They are successful until her high school sweetheart shows up and he’s onto them and they do a comedic battle to sway their mom’s heart away from her high school sweetheart back to their father.

Parents need to know that In the Doghouse, made in 2014, sets a brother and sister against their divorced mom's suspicious suitor, who appears to be after her money. Language includes "pee," "fart," and "crap." While the movie is family-friendly in that it doesn't have iffy content, its poor overall quality may challenge the viewer's patience (although kids who don't care about plot will stop love the adorable dog).

Synopsis

When a divorced mom tries to start dating again, her kids and dog set out to sabotage the dates. They are successful until her high school sweetheart shows up…a comedic battle ensues to sway their mom’s heart back to their father.

Dove Review

When parents get divorced, sometimes the children try everything in their power to get their parents back together. This story is a hilarious take on that exact theme.

Justin and Amanda are told by their mom Wendy that she is going to start dating again. The children come up with a plan to stop anything that may happen with her dates from leading to something more. There are pranks galore pulled on each unsuspecting man until one high school sweetheart shows up. Can they get this man out of their mom’s life? Are they up to the challenge or will Dave, the ex-boyfriend, win?

A funny movie that sometimes hits home to reality of many in today’s world. Although the antics and extent these kids use is not advised, the movie uses comedy to showcase the situation. We award the Dove Family-Approved Seal for ages 12-plus.

Content Description

Sex: Couple kiss.

Language: Name calling such as: idiot, loser, moron, doofus, stupid and fur ball; crap-4; OMG/OG/G—6; oh gosh-2; for God sake-1; my Lord-1; son of a sea biscuit-1; making fun of a man's name (Dom Massy) by calling him dumb a*sy-3

Violence: Fork is stuck in a man's head; man thinks he hit a dog with car; comment about woman being electrocuted; man steals motel key to room; girl brags about setting garden on fire; stealing a dog; man is stung by bees; man is tasered

Drugs: Laxative put in cupcakes

Nudity: Cleavage; man in robe; dog bites man in crotch and underwear is shown.

Other: Scenes of imitative behavior such as putting hot pepper juice in lemonade, eating whip cream from aerosol can; conning someone for money; lying about one's identity

Server 1 – Estream

Watch Full Movie

Server 2 – Vidto

Watch Full Movie

Watch The Jesus Film 1979 Dubbed In Hindi Full Movie Free Online

Also Known As: Jesus

Director: John Krish, Peter Sykes

Starring: Brian Deacon, Rivka Neuman, Alexander Scourby, Niko Nitai

Genre: Biography, Drama, Family

Released on: 19 Oct 1979

Writer: Barnet Bain (screenplay)

IMDB Rating: 7.1/10 (1,382 Votes)

Duration: 117 min

Synopsis: Jesus of Nazareth,the son of God raised by a Jewish carpenter. Based on the gospel of Luke in the New Testament,here is the life of Jesus from the miraculous virgin birth to the calling of his disciples, public miracles and ministry, ending with his death by crucifixion at the hands of the Roman empire and resurrection on the third day.

Server 1 – Estream

Watch Full Movie

Server 2 – Vidto

Watch Full Movie

Server 3 – Vidzi

Watch Full Movie

Directed by Akarsh Khurana
Cast - Irrfan Khan, Dulquer Salmaan, Mithila Palkar

Karwaan Story: Avinash (Dulquer), a dejected soul stuck in a dead-end job shares a strange relationship with his father. He holds him responsible for crushing his dreams. However, he is left pondering upon this longstanding hatred when he hears of his father’s untimely demise.

Karwaan Review: The news of his father’s sudden death takes Avinash and his friend Shaukat (Irrfan) from Bengaluru to Kochi, a journey that gives them time to introspect on their lives.

Sometimes getting lost is the best way to find yourself. This lies at the heart of Karwaan. Not all journeys wind up the way you’d imagined, and yet, they put things into perspective, be it life or relationships. The film feels a lot like that. It starts off as an incoherent, bumpy ride that takes multiple unwanted detours, before finding its true calling. Much like it’s protagonist Avinash (Dulquer Salmaan aka DQ), the story wanders aimlessly in quest of its mojo amidst a tragedy. Eventually, unravelling a journey of self discovery.

Shot across the most beautiful places in South India, Karwaan takes its time to connect the dots and disclose the dilemmas that haunt its three distinct characters — Avinash (Dilquer), Shaukat (Irrfan) and Tanya (Mithila). You don’t instantly warm up to them, nor they to each other, as the intimate human interaction and confrontation you expect in the story comes much later.

While most road films stand out for its heart to heart conversations, Karwan tries a bit too hard to establish itself as a dark comedy and therein lies the problem. It seems burdened by its desire to be unconventional, detached and funny. It even succeeds in dodging cliches but the situations seem a tad implausible.

What then makes this strange journey worth taking are the brilliant performances by Dulquer and Irrfan. You totally get the hype around DQ, the Malayalam heartthrob who makes his debut in Hindi cinema here. The actor’s effortless screen presence and earnest, understated act is a welcome change and he seamlessly nails the language (Hindi). Let’s hope Bollywood taps into his talent.

Despite getting a half-baked character, Irrfan, one of the finest actors in cinema, breathes life into the film. He gives its meandering narrative a direction, with his impeccable performance and his trademark piercing gaze. A heartbreaking scene in the latter half where he opens up on his father, proves for the umpteenth time what a great actor he is. His hilarious pearls of wisdom and unsolicited advice at the most inopportune time are, some of the best moments of the film. Mithila Palkar is pleasant, but fails to leave her mark. Kriti Kharbanda is likeable in her special appearance.

Karwaan might not be the roller coaster ride you expected it to be, but it leaves you with a warm fuzzy feeling in the heart that says all’s well that ends well.

Rating: 4/5

There is an early scene in Karwaan in which Irrfan Khan - or Irrfan, as he insists on being called and credited - subtly sets the tone for the film we are about to see. It’s set in a lonely dhaba, late at night, when even the hungry are fast asleep. It is an important scene, in which pivotal decisions are made and everyone - the actors and the audience - is required to be on their toes.

Dulquer Salmaan is making a phone call, and he’s absolutely killing it - he’s emotional, vulnerable and relatable. He’s pacing about with a worried look on his face, unsure of what the future holds. But in the background, noticeably out of focus, is Irrfan. He’s sitting on a chair, alone, lit with the murky amber that can only be found at dusty roadside eateries. He isn’t speaking. He isn’t moving. He isn’t even blinking. And yet, it’s impossible to take your eyes off him.

That, in essence, is the overwhelming emotion that Karwaan leaves you with. As much as it is a story about fathers and their children, and as much as it is a story about Dulquer’s character, Avinash -- Irrfan is on a different plane altogether, operating with such virtuosic exuberance that is difficult to admire the many other achievements of this film. He plays Shaukat, a fast-talking streetwise smartass, who fits comfortably into his compendium of characters - a lovable oaf with a heart of gold. Such is the electricity of his scenes that it almost seems as if Irrfan, in a fit of inspiration, came up with his own lines after having been thoroughly disappointed by the ones handed to him. Fate brings Shaukat and Avinash to that dhaba - they’re friends, before you begin to wonder - but it is their inherent decency that sends them on a life-altering journey of self discovery.

Avinash is experiencing the fallout of a life unfulfilled, hopelessly working at a soul-sucking corporation -- the sort of place that has the words ‘Don’t complain, unemployment feels worse’ printed in large, bright letters on its walls. He once used to be a bright young man, an artist with ambition. But now he has lost all feeling. He quietly soaks in his boss’ bullying, he can’t muster the courage to talk to the girl he has a crush on, and he has all but abandoned his dreams of becoming a photographer.

Then, one night, alone in his apartment, he receives a phone call. His father is dead, the chirpy lady on the other end tells him. A road accident, she says. Avinash can collect the body from the airport, and have a great day ahead. But in a darkly humorous mix-up, the wrong body is delivered to Avinash. His father’s body is in Kochi, with a kindly woman who informs him that he must travel all the way - Avinash is in Bengaluru - to pick him up.So for help, and transport, he turns to Shaukat. Together, they embark on a long and gorgeous road trip across south India, making a quick pit-stop at a boarding school to pick up Tanya, the teenage daughter of the lady they’re supposed to meet. She’s played by Mithila Palkar, who is remarkably resilient, despite the famous and formidable talents of her co-stars.

But as terrific as she is - and as frighteningly brilliant as Irrfan is - Karwaan is very much a Dulquer Salmaan vehicle, forgive the pun. He has an effortless charm about him, a warm presence that is perfectly tempered by Irrfan’s rather flamboyant style and Mithila’s adorable Manic Pixie Dream Girl act. And as someone who isn’t necessarily all that familiar with his work - Karwaan is Dulquer’s first Hindi movie, he is a Malayalam film star - it does make me want to discover his other films.His character certainly has the more fleshed out arc, amplified by the rather difficult relationship he had with his father. But as much as Avinash hated him, he’s driven by a sense of unspoken duty, and fuelled by his fear of one day turning into the man himself.

There is very little to fault with Karwaan, which has been directed with surprising tenderness by Akarsh Khurana, who has also penned the lyrics to several songs on the eclectic soundtrack (which is quite incredible, by the way). It is shot with an unusually painterly eye by Avinash Arun, and besides an unnecessary romantic subplot, has only one awkward aspect that needs to be addressed.

The film has a Malayali playing a Kannadiga, a Marathi playing a Malayali, and then there is Irrfan doing whatever the hell he’s doing. And yet, they all speak in Hindi. I haven’t yet decided if this is a testament to India’s multiculturalism or a vague head bob in the face of it. Karwaan arrives at a rather complicated time, a realisation that is made all the more upsetting by the film’s overarching theme of life and death, and particularly the scene in which Shaukat is introduced. With characteristic theatricality, he says, ‘Hume zinda dafan kar diya yeh soch ke ke hum mar jayenge (they buried me alive thinking that I’d die)’. This translation is quite literal - apologies for that - but it’s worth noting the line’s subtext.

By talking about the hardships of his life, and his unstoppable survival instinct, it is almost as if Shaukat is mocking death, taunting it for being a weak opponent. It is, of course, a cruel twist of fate that this line has taken on new meaning in light of recent events. But there’s strength to be derived from Shaukat’s words, and he’d be the first one to boast that they’re almost poetic, wouldn’t you say?



Server 1 – Estream

Watch Full Movie

Watch Hotel Transylvania 3 – Summer Vacation 2018 Dubbed In Hindi Full Movie Free Online

Director: Genndy Tartakovsky

Starring: Adam Sandler, Andy Samberg, Selena Gomez, Kevin James

Genre: Animation, Comedy, Family

Released on: 13 Jul 2018

Writer: Michael McCullers, Genndy Tartakovsky, Todd Durham (based on characters created by)

IMDB Rating: 6.5/10 (711 Votes)

Duration: 97 min

Synopsis: Mavis surprises Dracula with a family voyage on a luxury Monster Cruise Ship so he can take a vacation from providing everyone else’s vacation at the hotel. The rest of Drac’s Pack cannot resist going along. But once they leave port, romance arises when Dracula meets the mysterious ship captain, Ericka. Now it’s Mavis’s turn to play the overprotective parent, keeping her dad and Ericka apart. Little do they know that his “too good to be true” love interest is actually a descendant of Abraham Van Helsing, ancient nemesis to Dracula and all other monsters.
Director Genndy Tartakovsky’s Hotel Transylvania 3 - A Monster Vacation will release in India on July 20. The release date was announced via a statement issued to IANS. Sony Pictures India will bring the film to India.

The first two Hotel Transylvania films have been the company’s largest animation box office hits outside of the first Smurfs movie. Hotel Transylvania and Hotel Transylvania 2 accumulated a combined box office in excess of $800 million, reports The film kicks off in the same hotel from the first two films, but when Mavis sees her father Dracula, who seems a bit down, she organises a cruise vacation so that he can spend more time with his increasingly overworked family. She also invites his friends and their families. They quickly set off on their water-bound adventure.

Actors Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, David Spade, Steve Buscemi, Keegan-Michael Key, Molly Shannon, Fran Drescher, Kathryn Hahn, Jim Gaffigan and Mel Brooks have lent their voices to various characters in the film.

Written by Genndy Tartakovsky and Michael McCullers, Mark Mothersbaugh has given music for the film.




Server 1 – Estream

Watch Full Movie

Server 2 – Vidto

Watch Full Movie