Satyameva Jayate (2018)

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Director: Milap Zaveri

Starring: John Abraham, Manoj Bajpayee, Amruta Khanvilkar, Aisha Sharma

Genre: Action, Thriller

Released on: 15 Aug 2018

Writer: Milap Zaveri

IMDB Rating: N/A/10 (N/A Votes)

Duration: 131 min

Synopsis: DCP Shivansh has been tasked to catch Vir, the man behind police killings in the city. Both are eventually against the same enemy but divided by a fine line, the law.
Critic's Rating: 2.5/5
Satyameva Jayate Story: Veer (John Abraham) takes on the mission of killing corrupt cops in the Mumbai police force. Haunted by ghastly incidents from his past, he turns into a vigilante and Veer has his own mysterious plan of action. Meanwhile, honest and intelligent inspector Shivansh (Manoj Bajpayee) is given the arduous task of tracking down the cop killer.

Satyameva Jayate Review: Movies with themes of anti-corruption and misuse of power are relevant to our times, now more than ever before. ‘Satyameva Jayate’ (SMJ) is an action thriller that works on the simple premise of an angry man, fighting corruption with raging passion and violence. While the setup is pertinent, the execution is far from ideal. This masala entertainer has a huge hangover of the staple cinema that used to draw crowds during ’70s and ’80s. But the thundering background score (the Sanskrit chanting used to heighten the drama in several scenes), unrelenting drama and over-the-top action, make this movie feel a little too jaded.

The film starts off with Veer (John Abraham) burning a cop alive. It sets the tone for the rest of the film, which over a course of 2 hours and 20 minutes, does not deviate from the set path. Veer miraculously shows up every time a cop is committing a crime in various suburbs of the city. There is a twist in the story at mid-point, but even after the arrival of this unforeseen development, the screenplay stays focussed on the crusade against corrupt cops and setting them to flames. The narrative never changes gears from the cliched good versus evil scenario, while also doling out lessons on patriotism. The heavy-duty dialogues are written to play to the gallery, but more often than not they’re over employed and end up losing their intended impact. The rivalry between Manoj Bajpayee and John Abraham’s characters had a lot of scope, but the writing fails to explore it in a credible manner.

The performances are a lot better than director Milap Zaveri’s vision. John Abraham leads the charge in ‘SMJ’. While he’s tearing up tyres and beating the bad guys to a pulp, he infuses the angry young man role with passion and energy. Manoj Bajpayee as is in top form. His ace act as the fiercely determined and honest cop adds credibility to the film. Debutante, Aisha Sharma, has a confident screen presence, with a little more work on diction, she could do much better.

‘SMJ’ desperately tries very hard to sell the age-old idea of revenge and righteousness. But the big booming treatment is a little too hard to accept and digest. With John in the film, one can expect good action, but it’s gruesome and a little too bloody at times. Truth be told, the story is relevant in today’s times, but too many cliches in the story and the style of storytelling will make you want to cop out of this one.

Manoj Bajpayee says his latest film Satyameva Jayate is an edge of the seat thriller. The actor plays a police officer in the Milap Milan Zaveri directorial, which hits screens on August 15.

Manoj, who recently won the Best Actor award at the Indian Film Festival of Melbourne, feels his latest venture Satyameva Jayate is one commercial movie which grabbed his attention. During an exclusive chat with indianexpress.com, the maverick actor said, “It’s a massy film, which I’m not that much known for. But it’s a story which grabbed me by my collar. When Milan Zaveri narrated the script, I was sitting quietly through the narration. It didn’t even give me a chance to yawn. And I was on the edge of my seat. I said let’s go ahead and do it! I don’t have any problem with any genre. It’s just that commercial films which were being offered to me were not up to the mark and this is the kind of film I have grown up watching in my small town, in my village. It is a tribute to all those films.” Satyameva Jayate is Manoj’s fourth release this year. While he played a colonel in Aiyaary, he was a DIG in Baaghi 2. We asked him whether donning the uniform on screen is his new found love and he said, “That’s good na! And they (makers) think I do justice to the role. But at the same time, I would say I don’t play the uniform, I play the person who is wearing that uniform.” John Abraham is definitely a smart producer. From Vicky Donor, and Madras Cafe to his most recently released Parmanu: The Story of Pokhran, there’s no denying the fact that as a producer, he has always come up with something fresh and unconventional. In his latest production Satyameva Jayate, the actor takes on the subject of police corruption that has spread its ugly seeds all over Mumbai.

Veer (John Abraham) is determined in pursuing his revenge as he sets out on a bloody rampage against the crooked police department that wronged his deceased father, a righteous cop who never compromised to get along or to be accepted. Veer is not a man to be trifled with. He can tear apart a truck tire, pull out doors from police vans, dodges hundreds of bullets, in short, he can do anything even if it comes at the cost of logic.

DCP Shivansh Rathod (Manoj Bajpayee) has been asked to cut his vacation short and return to Mumbai as soon as possible because two police officers have been burnt alive in the city. Though the department wants to brush the news under the carpet, it spreads like wildfire. Consumed by anger, Rathod, an upright cop in a squad full of corrupt colleagues, is determined to expose whoever is behind this brutal crime.

Without a doubt, Satyameva Jayate raises many questions about India’s justice system and the ethics of turning a blind eye to inequity, but the depiction of it takes a popular route. The makers have tried their best to put the audience in a situation where they struggle with issues of morality and integrity, but the film’s thin plot remains far from reality. Then there are super dramatic dialogues. Even the basic conversation between characters is laden with heavy-duty punches and jingoism.

Also, just to assure the audiences that it’s an Independence Day release, film's director Milap Zaveri has ended up showing the tricolour on screen for countless times. There is a bright side to it as well. Unlike Bollywood cop dramas, Satyameva Jayate, at least, dares to bring the darker side of our system to the forefront and tries to present a balanced scenario.

In addition, there are a few sequences in the film that viciously unmask the corrupt in judiciary. One such scene is when a luxury car of a rich brat runs over a woman sleeping on a pavement. The culprit's parents are asked to not worry about anything and the victim's husband gets warning because "Kachre ko insaaf nahi milta, kachra sirf saaf hota hai." The sequence may lack the intensity, but it has some resonance in reality.

In terms of acting, Bajpayee will definitely captivate your attention as an honest police officer who is a fair combination of funny and serious. In Abraham's case, it's his bulging biceps that do most of the talking. Aisha Sharma's role is confined to looking beautiful and engaging our hero during his weak moments.

At nearly 150-minute duration, Satyameva Jayate has its heart at the right place, but a convoluted screenplay hampers its chances.

Bollywood actor John Abraham and his massive biceps are back. After he made Indian dream of becoming a nuclear power possible in Parmanu The Story of Pokhran, he is here to end corruption in Satyameva Jayate. As the first poster of the Milap Milan Zaveri film was revealed, finding a pride of place with John, his biceps and lot of fire in the backdrop -- a nod to the burning problems of today, perhaps -- was the film’s tagline. “Beimaan pitega, corruption mitega (Corrupt will be beaten, corruption will end),” it said. Ok then.

Sharing the poster, John wrote, “This Independence Day, Justice will roar! #SatyamevaaJayateOn15Aug @zmilap @BajpayeeManoj @SMJFilm @TSeries @EmmayEntertain @nikkhiladvani #BhushanKumar @aishasharma25.” The film also has Manoj Bajpayee in an important role.

The first look of the film was revealed in April this year and Manoj was seen pointing a gun at John in the image.

In the past few months, Manoj and John have tweeted about working with other. “So much fun and an honour working with Manoj Bajpayee. It’s a wrap for you and my work starts now. Thank you Avinash Gowariker for the picture! ‘Satyameva Jayate,” John tweeted, to which Manoj replied, “Likewise brother! Missing being on the set with you all already. Good luck with all the fists and the kicks.”

Satyameva Jayate is produced by T-Series’ Bhushan Kumar and Nikhhil Advani and is scheduled to hit the screens on August 15.

The film is likely to clash with Akshay Kumar’s Gold and Kangana Ranaut’s Manikarnika.

It's a clash of the Titans, as John Abraham's Satyameva Jayate collides with Akshay Kumar's Gold on Independence Day. While John's film is a typical action-masala film, Akshay's film is a sports drama.

Trade analyst Girish Johar told a daily in an interview that Satyameva Jayate is expected to earn Rs 10 crore on the first day. It has released in 2500 screens.

The film won't be entirely affected by Gold, as the two films belong to a different genre and cater to separate audiences, says Johar.

If this holds true, then 2018 is turning out to be quite a lucky year for John, whose previous film Parmanu The Story of Pokhran did good business at the box office.

Though Satyameva Jayate has been panned by critics, it has opened on a good note and the morning shows at several cinema halls are running to full houses. It witnessed a 42.5% occupancy in its morning shows.

Satyameva Jayate, directed by Milap Zaveri, tells the story of Veer, a vigilante, who is determined to weed out corruption by taking law into his own hands. Manoj Bajapayee, an honest and intelligent police officer, is out to catch him before all hell breaks loose.
It's Independence Day and John Abraham, after Parmanu: The Story of Pokhran, is all set to infuse in you a strong feeling of patriotism with his Satyameva Jayate, amid a migraine-inducing background score.

The film is the latest in Bollywood's slew of nationalism-inducing films. It's another film where the flag waves dramatically, there are dishonest cops (that's become a permanent trope in films now), and people spew Sanskrit verses as if they were born with a Sanskrit textbook pressed in their hands.

Let's cut to the chase. John Abraham plays hooded vigilante Veer, who is on a ritualistic spree of weeding out corrupt cops by burning them on a stack of wood and reciting some bad poetry while he does so. It heightens the torture for the one being burnt and the audience. Veer is a merciless killer - but only the "bad" people are his targets. He doles out justice to the innocent people like it's his birthright.

That's at night, though. During the day he is your average Joe, who cleans beaches (approving nod at Swach Bharat Abhiyan), saves injured puppies and spends time with his lover, played by entirely forgettable newbie Aisha Sharma, who is just there to spout patriotic dialogues about soldiers and the Indian flag. She has a sad back-story that is somehow squeezed in at the end of the film.

Shivansh Rathod played by Manoj Bajpayee is the honest officer, something we're reminded every 10 seconds. He is on a mission to find Veer and is rather unsuccessful for the most part, even when there seems to be CCTV footage available. But let's not try to discover the crater-like loopholes in the film, because there isn't enough time in the world.

Understandably, Shivansh and Veer are in a cat-and-mouse chase.

There is a plot twist right before the intermission, but you're so wearied and nauseated by inept filmmaking and an overdose of patriotism by then, that you can just about widen your eyes in mere surprise. The second half tries to inject some reason behind Veer's doings, but fails miserably. There's more blood, gore and dramatic matchsticks flicked in the direction of the kerosene.

There are hardly any greys in the film of course (unless you want to count Veer). Apparently, corrupt policeman go around bleating that they're corrupt. We hope the corrupt ones listen to you, Milap Milan Zaveri.

It's understandable why John Abraham did this film. It is to stay true to his action avatar, which is his comfort zone. He beats up people left, right and centre, and never misses a chance to show his bulging biceps. You can always expect him to do a role that involves him breaking out of a tyre or jumping off dangerously high ledges.

But what is a gifted actor like Manoj Bajpayee doing in this travesty of a film?

It's hard to grasp exactly what the film's message is. Is killing corrupt policeman like mosquitoes in the name of nationalism something to be proud of? In this tug-of-war between high-sounding morals and propagators of justice, it's decent cinema that is sacrificed on a burning stack of wood, while director Milap Milan Zaveri spouts his brand of poetry.

You know what to expect from Satyameva Jayate. Nothing. Watch the film if you swear by John Abraham. If not, catch the other Independence Day release Gold.
Satyameva Jayate movie cast: Manoj Bajpayee, John Abraham, Aisha Sharma, Amruta Khanvilkar
Satyameva Jayate movie director: Milap Milan Zaveri
Satyameva Jayate movie rating: One and a half stars

A hooded vigilante is roaming about in Mumbai, setting fire to corrupt cops, easily evading capture, and notching up the gruesome numbers: you close your eyes, and another one goes up in flames.

The film takes its objective very seriously indeed. We are shown stacks of wood, kerosene cans and matchsticks, and burning human flesh, over and over and over again. And again, just in case we’d forgotten.

There was a time, in the 70s and 80s, when B grade cinema embraced this theme—weeding out corruption with extreme violence– with enthusiasm. Satyameva Jayate brings it all back, with all its dialogue-baazi, and relentless background music, piling one improbable, cliché-ridden sequence upon another.
Backstory of the hunter (Abraham), as the devastated child forced to see his honest policeman father being hounded and humiliated? Check. A ‘Deewar’-like strand, with the ‘good’ brother (Bajpayee) on his trail, conflicted, yet true to his oath as an enforcer of the law? Check. A posse of cops milling about uselessly as our man breezes blithely in and out of cops stations and hospitals and other well-guarded locations? It’s all there.

An effective vigilante film has its guilty pleasures: who doesn’t like a bad guy come to a worse end? But not when the plot offers creaky tropes, and revives all the forgotten horrors of this kind of movie, where you dispense good taste in the pursuit of hoots and whistles. There’s so much gore that even hardened viewers may flinch, and there’s something entirely gratuitous about characters being made to mouth thunderous lines against people taking the law in their hands, and then showing humans being burnt and beaten.

Some of the lines are in cringingly poor taste. ‘Pata lagao uski koi rakhail hai ki nahin’, thunders Bajpayee’s character. A toaster is used to make ghastly jokes about a guy who’s been burnt to a cinder. Macabre jokes work only when you do them well: here, they don’t land, because the whole thing is so inept.

We can get why Abraham is in this film: he’s done this kind of movie before, and this looks like an extension, all bulging biceps and flaring nostrils, and using hands and legs against the enemy. He does action well: you believe when a tyre is split by those muscled arms. But what possessed the excellent Bajpayee, who can lift a film just by his presence, to do this?

Dilbar ( Satyameva Jayate ) Song Lyrics

Dilbar dilbar…


Chadha jo mujhpe suroor hai
Asar tera yeh zaroor hai
Teri nazar ka kasoor hai


Dilbar dilbar…


Aa paas aa tu kyun door hai
Yeh ishq ka jo fitoor hai
Nashe mein dil tere choor hai


Dilbar dilbar…


Ab toh hosh na khabar hai
Yeh kaisa asar hai
Hosh na khabar hai
Yeh kaisa asar hai
Tumse milne ke baad dilbar
Tumse milne ke baad dilbar


Dilbar dilbar… dilbar dilbar…
Dilbar dilbar… dilbar dilbar…




[Ikka Rap]
Karti qatal na aise tu chal
Paheli ka iss nikalo koi hal
Husan ka pitara khilta kamal
Kar loonga sabar kyunki meetha hai phal


Tu mera khaab hai
Tu mere dil ka qaraar
Dekh le jaan-e-mann
Dekh le bas ek baar…


Chain kho gaya hai
Kuch toh ho gaya hai
Chain kho gaya hai
Kuch toh ho gaya hai
Tumse milne ke baad dilbar
Tumse milne ke baad dilbar


Dilbar dilbar…



Paniyon Sa – Satyameva Jayate Song Lyrics

    Satyamev Jayate (2018) Movie
    Director : Milap Milan Zaveri
    Producer : Bhushan Kumar, Krishan Kumar, Monisha Advani, Madhu Bhojwani & Nikkhil Advani
    Released date : Wednesday, 15th August 2018
    Starring : John Abraham, Manoj Bajpayee, Amruta Khanvilkar, Aisha Sharma
    Singer(s) : Atif Aslam, Tulsi Kumar
    Music By : Rochak Kohli
    Lyricist(s) : Kumaar
    Music Label: T-Series
    Movie Details : Satyamev Jayate (2018)  (Wikipedia)


Other Satyamev Jayate (2018) Movie Songs Lyrics :-

Dilbar ( Satyameva Jayate )
Tajdar-e-Haram ( Satyameva Jayate )

Description :
Satyameva Jayate (2018) is an action thriller movie directed by Milap Milan Zaveri, Screenplay by Mi...
Jo tere sang laagi preet mohe
Rooh baar baar tera naam le
Ki Rab se hai maangi yehi duaa aa…
Tu haathon ki laqeerien thaam le


Chup hai baatein
Dil kaise bayaan main karoon
Tu hi kehde
Wo jo baat main keh na sakoon


Ki sang tere paniyon sa, paniyon sa
Paniyon sa behta rahoon
Tu sunti rahe main kahaniyaan si kehta rahoon
Ki sang tere baadalon sa, baadalon sa
Baadalon sa udta rahoon
Tere ek ishaare pe teri ore mudta rahoon
Ooo…


Aaadhi zameen, aadha aasmaan tha
Aadhi manzilein, aadha raasta tha
Ikk tere aaane se mukamaal hua sab ye
Bin tere jahaan bhi bewajah tha


Tera dil banke main saath tere dhadkoon
Khudko tujhse ab door na jaane doon


Ki sang tere paniyon sa, paniyon sa
Paniyon sa behta rahoon
Tu sunti rahe main kahaniyaan si kehta rahoon
Ki sang tere baadalon sa, baadalon sa
Baadalon sa udta rahoon
Tere ek ishaare pe teri ore mudta rahoon

Ooo…

Tajdar-e-Haram ( Satyameva Jayate ) Song Lyrics
Noor-e-khuda karam ki nazar ho
Maula meri duaa mein asar ho
Yeh mo.ajiza dikhaye Khudaya

Mere tadap ki unko khabar ho



Haal-e-dil ya Nabi aapke saamne
Sar jhuka kar kahenge hum



Tajdar-e-haram
Tajdar-e-haram
Ho nigahein karam ho karam





Tajdar-e-haram
Tajdar-e-haram
Ho nigahein karam
Hum gareebon ke dil bhi
Sawar jaayenge…



Tajdar-e-haram
Tajdar-e-haram




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